Three studio records recorded straight to 2-inch tape

Heavyweight wax cut at 45 RPM

Engineered straight to Otari 2-inch 16-track tape machine with tube preamps and live room bleed.

Recorded live to half-inch tape

Nine tracks captured over four nights in a converted basement hall with vintage ribbon microphones.

Limited press lathe cut single

Raw fuzz pedal distortion recorded direct to two-track mono with hand-numbered cardstock sleeves.

Analog recording without digital safety nets

The tape ran out twice during the third take, so we kept the third take. Every session relies on live room sound, vintage tube amplifiers, and zero plug-ins.

Bass frequencies deserve physical room to breathe, which is why our mixes stay heavy, saturated, and uncompressed.

If you cannot hear the floorboards shaking and the amplifiers humming between songs, you aren't listening to a live band.

Studio engineer notes, Detroit session

Direct independent distribution with heavy tip-on packaging and lyric inserts.